A book blog about Russia in English-language fiction

Tag: St Petersburg (Page 2 of 2)

The Fall of the Russian Empire by Donald James (1982) – part two

Part one of this review is here

The former Soviet Union. It’s a short phrase that became commonplace after 1991. The phrase —and its abbreviation, FSU— cropped up in policy papers and elsewhere from that date on, and still does.

Did its first use appear in Donald James’s The Fall of the Russian Empire in 1982, almost a decade before the Soviet Union was former?

The plot of The Fall of the Russian Empire builds a scenario of workers’ unrest in the self-proclaimed workers’ state. The dissatisfaction of the workers swiftly turns into physical resistance to the Soviet regime and allies itself with nationalist sentiments amongst the republics that make up the Soviet Union.

Continue reading

City of Ghosts by Ben Creed (2020) – part one

Part two of this review is here

Mutilated  bodies found in the snow. That is a fairly standard starting point for a Russia-in-fiction detective novel. Think, of course, of the classic of the genre, Martin Cruz Smith’s Gorky Park (1981). Or more recently, G.D. Abson’s second Natalya Ivanova novel, Black Wolf (2019).

City of Ghosts starts with five mutilated bodies found in the snow. This novel is no shy newcomer sneaking into the back of the Russia-in-fiction incident room hoping not to draw attention to itself.

City of Ghosts is the first of the Revol Rossel thriller series. Set in Leningrad in 1951, as the Stalin era is coming to an end, this is a book that knows its Russia, knows Leningrad, and knows Soviet history. The Stalin era did not limp off the global stage but —so far as its reputation for terror and oppression went— it stayed right on until the end of its road. And Leningrad was a particular target for Stalin’s personal ire.

Within this setting, Ben Creed (the pen-name of the co-writing duo Barney Thompson and Christopher Rickaby) develops a macabre tale brimming over with multiple ideas and intentions.

Continue reading

Tsar by Ted Bell (2008)

Can we get the excuses out of the way first? Russia in Fiction reviews all sorts of stuff. Basically, if it is fiction that is set in, or at least features, Russia, then we might review it. Reviewing a book is not recommending a book. The idea is get a sense of how Russia is portrayed in the popular imagination.

But even so, Russia in Fiction did a lot of umming and aahing before reviewing Ted Bell’s Tsar.

You know those heavy metal bands that are so over the top that you wonder whether they are being deliberately ironic, taking the mickey out of the genre itself? Think the movie This Is Spinal Tap (1984) and the amplifiers that go up to eleven because full-volume ten is not loud enough. That’s what Ted Bell’s Tsar reminds me of.  It has all the usual elements of a Russia-related thriller, but ramps them up to beyond believable.

Continue reading

The Cardinal of the Kremlin by Tom Clancy (1988) – part two

Part one of this review is here

Key to many a thriller/crime writer’s success is the creation of a memorable lead character. Martin Cruz Smith has his Arkady Renko, Boris Akunin his Erast Fandorin, and even John Le Carré returned again and again to the enigmatic George Smiley. Tom Clancy did not simply create such a character, he created a dynasty and alternative history.

Clancy’s Jack Ryan rose, across a series of novels, from CIA analyst to two-term US President. There then followed a series of novels about Jack Ryan Jr., continued after Clancy’s death in 2013 with varying degrees of quality across multiple authors. Jack Ryan movies are multiple, and there is a Jack Ryan Jr. TV series.

In The Cardinal of the Kremlin —the third novel to feature Clancy’s signature character— we meet CIA analyst Jack Ryan as part of an American delegation to Moscow, charged with negotiating an arms control treaty. The US side are sceptical of any Soviet concession.

Continue reading

Moscow at Midnight by Sally McGrane (2017) – part two

Part one of this review is here.

If you want your Russia-in-fiction tropes, Moscow at Midnight provides a collector’s cornucopia, and does so with style and originality.

As part one of this review observes, McGrane provides so many Moscow references that it might sound as if she reduces them to a passing mention, or, in one of her many memorable phrases, ‘a strange kind of Baedeker’.

Whilst there are occasional hints of that, Moscow at Midnight elevates its location with lyrical and evocative descriptions.

Continue reading

Moscow at Midnight by Sally McGrane (2017) – part one

Part two of this review is here.

May be the reviewer who wrote “a worthy successor to John Le Carré” thought that they were doing Sally McGrane a favour? They would be wrong. And not just for the normal ‘why is everyone who writes a half decent spy thriller always compared to Le Carré?’ reasons.

Moscow at Midnight might be about a jaded CIA officer in Russia on the trail of a missing woman, but it ain’t no spy thriller. It is a smorgasbord of literary genres — sure, there is espionage; and there is a touch of Bulgakovian magic realism; and there is satire; and there is crime; and there is comedy.

But most of all, there is Russia.

Continue reading
Newer posts »

© 2022 Russia in fiction

Theme by Anders NorénUp ↑