Russia in fiction

A book blog about Russia in English-language fiction

Tag: Moscow (Page 3 of 5)

A Patriot in Berlin by Piers Paul Read (1995) – part one

17 March, 2021 /

Part two of this review is here

A Patriot in Berlin is a novel of the collapse of Communism. It is set in the immediate aftermath of the break-up of the Soviet Union, between August 1991 and July 1993. In other words, in that strange period of suspended political time, between Boris Yeltsin emerging as the victor in Russia after the attempted coup of August 1991 and his eventual victory over the last of the old Soviet-era parliament’s resistance in October 1993.

As is to be expected from its author, A Patriot in Berlin has literary substance. It addresses the questions that this startling and unexpected moment in modern history throws up, dealing with themes of nationalism, materialism, and Communism. At the same time, Read roughly adheres to some spy thriller formulaics; false identities, political factions, violence and torture and sex.

Robert Harris’s review of A Patriot in Berlin noted

There’s more skill here, and more intelligence, than in any number of contemporary novels and the attempt to bridge the gap between ‘serious’ literature and mass-market fiction is a laudable one

Robert harris, daily Mail, 16 september 1995
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Private Moscow by James Patterson and Adam Hamdy (2020)

14 March, 2021 /

Sometimes —and may be more often than usual in the middle of a pandemic-inflicted lockdown— a bit of escapism is just the ticket.

Step forward, James Patterson ‘the most borrowed author in UK libraries for the past thirteen years in a row’, and author of, well, who knows? 120? 130 novels? Several a year, mostly with co-authors.

Private Moscow is the 15th in the Private series about an élite detective agency with branches around the world, founded and led by all-action American hero Jack Morgan. From cover through to final page, it gathers in the Russia-in-fiction thriller clichés in a fast-moving action movie-style plot. But there is more to Private Moscow than that.

I stayed up into the small hours to finish it …

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The Jericho Files by Alan Gold (1993)

4 March, 2021 /

The Jericho Files is the first novel by Australian author Alan Gold, and the only one with a Russia focus. Even then, that focus is not on Russia alone, but also on Israel —the subject of most of Gold’s many later novels.

The titular ‘Jericho Files’ hold the secret of a Soviet plot, dating back to the late Stalin years, to insert a Communist sleeper agent into the political life of the nascent state of Israel. By the 1990s, this man has become Prime Minister of Israel and sets about disrupting the international order in alliance with Moscow.

The Jericho Files is a well-constructed page-turning thriller; but with one issue that bugs Russia in Fiction. There is a questionable premise at the heart of the plot, a premise that recurs in several post-Soviet thrillers. Why would a died-in-the-red-wool, decades-long Communist feel allegiance to the regime that overthrew Communism in Russia?

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The Cardinal of the Kremlin by Tom Clancy (1988) – part two

28 February, 2021 /

Part one of this review is here

Key to many a thriller/crime writer’s success is the creation of a memorable lead character. Martin Cruz Smith has his Arkady Renko, Boris Akunin his Erast Fandorin, and even John Le Carré returned again and again to the enigmatic George Smiley. Tom Clancy did not simply create such a character, he created a dynasty and alternative history.

Clancy’s Jack Ryan rose, across a series of novels, from CIA analyst to two-term US President. There then followed a series of novels about Jack Ryan Jr., continued after Clancy’s death in 2013 with varying degrees of quality across multiple authors. Jack Ryan movies are multiple, and there is a Jack Ryan Jr. TV series.

In The Cardinal of the Kremlin —the third novel to feature Clancy’s signature character— we meet CIA analyst Jack Ryan as part of an American delegation to Moscow, charged with negotiating an arms control treaty. The US side are sceptical of any Soviet concession.

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The Cardinal of the Kremlin by Tom Clancy (1988) – part one

24 February, 2021 /

Part two of this review is here

Published in 1988, The Cardinal of the Kremlin portrays a mid-Gorbachev era Soviet Union. At the time that the book was being written, Western analysts and politicians could not quite get their heads around what Soviet leader Mikhail Gorbachev was doing.

Gorbachev had come to power in 1985, the fourth General Secretary of the Soviet Communist Party in less than two and half years. In a world with two superpowers, you could say that the General Secretary was one of the two most powerful men in the world. Gorbachev followed on from three sick old men, who had died in rapid succession.

In The Cardinal of the Kremlin the Soviet leader is clearly a Gorbachev figure. Clancy’s portrayal of him, and of the Soviet Union over which he presided, reflects that mixture of optimism and caution with which the West met this young reformer. Was he the real thing? Or was all subtle pretence?

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Mrs. Harris Goes To Moscow by Paul Gallico (1974)

21 February, 2021 /

When your choice of fiction is influenced by where it is set, then you can end up reading novels that you would not otherwise have given a second glance to. So far as Russia in Fiction is concerned, Mrs Harris Goes To Moscow is one such novel.

Russia in Fiction claims no special expertise in the literature of the prolific Paul Gallico (1897-1976), whose output of over 50 books ranged from The Poseidon Adventure, which was made into a blockbuster disaster movie, to children’s books much loved by Harry Potter author, J.K. Rowling.

Lacking such expertise, we turned to a website that is, in the words of its writer, ‘dedicated to the literature of Paul Gallico, one of my favourite authors’. Its conclusion with regard to Mrs Harris Goes To Moscow?

… it’s really not very good

http://www.paulgallico.info/mrsharrismoscow.html
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The Listener by Anne Telscombe (1968)

18 February, 2021 /

For the first —and no doubt only— time, Russia in Fiction is reviewing a book that does not mention Russia.

And its set-up cannot fail but bring to mind the 2006 Oscar-winning German movie Das Leben des Anderen (The Lives of Others).

In the basement of a block of flats in the capital of ‘an anonymous Iron Curtain country’ called Commitania, sits a man, headphones on, tape reels whirring, listening in on conversations throughout the apartment block.

And how do we know it is about Moscow in the 1960s? Regular readers of this blog might already have picked up the clues.

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Arm Me Audacity by Richard Pape (1954) – part two

14 February, 2021 /

Part one of this review is here

Richard Pape’s reputation as a daredevil and dashing ex-military man turned author, coupled with a handily placed article in a British tabloid, helped to create the impression that Arm Me Audacity was autobiography, fictionalised for reasons of national security. Part one of this review investigates the novel’s background. Part two returns to more familiar Russia-in-fiction reviewing territory. What is the book about? And how does it portray Russia?

In particular, to those familiar with the traits of Cold War espionage thrillers and their representation of the Soviet Union, how present are these in a popular thriller from the 1950s?

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The Russian Interpreter by Michael Frayn (1966)

6 February, 2021 /

Michael Frayn — man of letters, leading British playwright, acclaimed novelist; also a renowned translator of Chekhov and, less well known, of ‘the Soviet Chekhov’ Yurii Trifonov.

Published in 1966, The Russian Interpreter came at the outset of Frayn’s literary career. His second novel, it appeared in the year that his first novel, The Tin Men, won the Somerset Maugham Award. Unusually for a writer from the West in that era, Frayn was able to draw on significant experience of living in the Soviet Union.

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Blind Prophet by Bart Davis (1984)

28 January, 2021 /

There is something fascinating about Soviet-related thrillers published in the 1980s, because we know the real life geopolitical plot outcome. That is, Mikhail Gorbachev came to power in 1985 and the Soviet Union collapsed in 1991. You cannot help but ‘read back’ into novels of that era, what we know to be the eventual outcome.

Blind Prophet is one of those novels that took me back to what got me into Russia in fiction in the first place. By the final pages I was speed-reading, not from boredom, but from the page-turning momentum of a terrifically plotted Cold War thriller, with all the key ingredients and more.

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