Russia in fiction

A book blog about Russia in English-language fiction

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Tatiana by Martin Cruz Smith (2013)

29 November 2020 /

Tatiana is the 8th of Martin Cruz Smith’s Arkady Renko novels, all of which were re-packaged in 2013, with new  monochrome photo covers and availability as ebooks.

The Renko novels go all the way back to their remarkable opener, Gorky Park published in 1981, during the dying days of the stagnant but, from this distance, strangely beguiling Brezhnev years. The most recent, The Siberian Dilemma, was published in 2019.

In several interviews over the years —for example in the New York Times in 1990— Martin Cruz Smith has talked about how he originally intended to write a novel about an American detective who goes to Soviet Moscow. Then the ‘obvious idea’ came to him; to make his hero a Russian detective. Arkady Renko was created.

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The Useful Idiot by John Sweeney (2020) – part two

26 November 2020 /

Part one of this review is here.

Who is The Useful Idiot in John Sweeney’s 2020 thriller set in Stalin’s Soviet Union in 1933?

Although the book’s hero, Welsh journalist Gareth Jones, feels himself —in a moment of passing regret— to have behaved as such, the true useful idiots are those Westerners, diplomats and journalists, who are willingly hoodwinked by dreams of Communism whilst refusing to spread abroad stories of the violence, famine, and death before them.

And chief ‘useful idiot’ of the piece is Walter Duranty.

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If Only You Knew by Alice Jolly (2006) – part two

19 November 2020 /

Part one of this review is here.

If Only You Knew sees a life transformed as another life dies. Its place and time —Moscow in the year of the Soviet collapse— serves as metaphor for the developing story.

Eva and Rob arrive in a city that is recognisably Soviet in its restrictive and proscriptive milieu. By the novel’s end, intimations of emerging life in all its chaotic and elemental potential are visible on the streets of Russia’s capital.

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If Only You Knew by Alice Jolly (2006) – part one

15 November 2020 /

Part two of this review is here.

If Only You Knew is Alice Jolly’s second book and her only foray into Russia as a setting. Specifically, the setting is Moscow in the year in which the Soviet Union disappeared and an independent Russia re-emerged.

The story starts in November 1990, as the novel’s first person narrator, Eva, arrives in Moscow to live with her partner, Rob, who works in democracy promotion.

The turmoil of Russia’s politics during the 13 months in which If Only You Knew takes place forms the backdrop to the emotional turmoil in Eva’s life, which is the focus of this story.

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The Russia Account by Stephen Coonts (2019)

12 November 2020 /

Stephen Coonts is at the forefront of the book-a-year thriller writer stable, and has been since the 1980s. Like many others (Tom Clancy, Stella Rimington, Daniel Silva, to name but three of a long list), he often writes about the same characters — in the case of Coonts, the chief protagonists in his fiction are Admiral Jake Grafton and CIA officer Tommy Carmellini.

Coonts less often writes about Russia, but even that, he does with relative frequency —for example, The Red Horseman (1993), Fortunes of War (1998), and Wages of Sin (2004).

What Coonts does, he does well; namely, snappy and well-plotted action thrillers. He is an ex-military man and, from what I have read —basically, the Russia-related titles named above— his politics seem to be patriotic American.

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Moscow at Midnight by Sally McGrane (2017) – part two

8 November 2020 /

Part one of this review is here.

If you want your Russia-in-fiction tropes, Moscow at Midnight provides a collector’s cornucopia, and does so with style and originality.

As part one of this review observes, McGrane provides so many Moscow references that it might sound as if she reduces them to a passing mention, or, in one of her many memorable phrases, ‘a strange kind of Baedeker’.

Whilst there are occasional hints of that, Moscow at Midnight elevates its location with lyrical and evocative descriptions.

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Moscow at Midnight by Sally McGrane (2017) – part one

5 November 2020 /

Part two of this review is here.

May be the reviewer who wrote “a worthy successor to John Le Carré” thought that they were doing Sally McGrane a favour? They would be wrong. And not just for the normal ‘why is everyone who writes a half decent spy thriller always compared to Le Carré?’ reasons.

Moscow at Midnight might be about a jaded CIA officer in Russia on the trail of a missing woman, but it ain’t no spy thriller. It is a smorgasbord of literary genres — sure, there is espionage; and there is a touch of Bulgakovian magic realism; and there is satire; and there is crime; and there is comedy.

But most of all, there is Russia.

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The Russian Affair by Michael Wallner (2011) – part two

1 November 2020 /

Part one of this review is here.

The Russian Affair alights on themes of Moscow life in the high Soviet years of the Brezhnev era.

Just as Soviet authors of the late 1960s and early 1970s did, Michael Wallner frames his story around everyday problems —multi-generational living in cramped apartments, the ‘double burden’ carried by Soviet women, access to essentials in a time of shortages, the importance of social connections, the ubiquity of the vlasti (the authorities), and the treasured pleasures and freedoms of normality around the ‘kitchen table’ inner circle of family and friends.

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The Russian Affair by Michael Wallner (2011) – part one

29 October 2020 /

Part two of this review is here.

Are you familiar with the notion of nostalgia for a time or place that you have never known? Anemoia is the term.

Or perhaps, as we are dealing here with a novel translated from German into English, the German word Sehnsucht is appropriate; often simply translated as nostalgia, it has a sense of wistful vagueness that the more common German word Nostalgie does not have.

Michael Wallner’s novel prompted anemoia in me.

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