Joseph Hone, ‘the most unjustly neglected spy novelist of his generation’. So said Hone’s obituary in The Telegraph (23 September 2016).
From the Russia-in-fiction perspective, The Sixth Directorate opens with a prescient view of what a few —though I think not many— observers of the Soviet scene with astute foresight were thinking possible in the mid-1970s. Surely, such apparently wishful thinking went, there must be people within the organisations at the heart of that closed stagnating system who wanted progressive reform?
And how right they were.
There is something fascinating about Soviet-related thrillers published in the 1980s, because we know the real life geopolitical plot outcome. That is, Mikhail Gorbachev came to power in 1985 and the Soviet Union collapsed in 1991. You cannot help but ‘read back’ into novels of that era, what we know to be the eventual outcome.
Blind Prophet is one of those novels that took me back to what got me into Russia in fiction in the first place. By the final pages I was speed-reading, not from boredom, but from the page-turning momentum of a terrifically plotted Cold War thriller, with all the key ingredients and more.
Tatiana is the 8th of Martin Cruz Smith’s Arkady Renko novels, all of which were re-packaged in 2013, with new monochrome photo covers and availability as ebooks.
The Renko novels go all the way back to their remarkable opener, Gorky Park published in 1981, during the dying days of the stagnant but, from this distance, strangely beguiling Brezhnev years. The most recent, The Siberian Dilemma, was published in 2019.
In several interviews over the years —for example in the New York Times in 1990— Martin Cruz Smith has talked about how he originally intended to write a novel about an American detective who goes to Soviet Moscow. Then the ‘obvious idea’ came to him; to make his hero a Russian detective. Arkady Renko was created.