Predictable we may be, but Russian in Fiction couldn’t resist reviewing in succession two books with identical titles.
Daniel Silva’s Moscow Rules (2008) is a very different sort of thriller from Robert Moss’s Moscow Rules (1985), in terms of both aspects of Russia in Fiction’s reviewing template.
Russia in Fiction asks two things about the books we review. What is the novel like? And how does it portray Russia? For the former, Daniel Silva is a doyen of the novel-a-year, same central character, same formula series. For the latter, when Silva deals with Russia, he tends to the straight down the line, big bad Russia approach; not uncommon at all amongst Western thriller writers, and a useful marker of how Russia has been popularly perceived at particular points of time.
And if this brief opening summary makes it sound like Russia in Fiction doesn’t think much of Daniel Silva’s writing, then we want to correct that misperception immediately.
The Jericho Files is the first novel by Australian author Alan Gold, and the only one with a Russia focus. Even then, that focus is not on Russia alone, but also on Israel —the subject of most of Gold’s many later novels.
The titular ‘Jericho Files’ hold the secret of a Soviet plot, dating back to the late Stalin years, to insert a Communist sleeper agent into the political life of the nascent state of Israel. By the 1990s, this man has become Prime Minister of Israel and sets about disrupting the international order in alliance with Moscow.
The Jericho Files is a well-constructed page-turning thriller; but with one issue that bugs Russia in Fiction. There is a questionable premise at the heart of the plot, a premise that recurs in several post-Soviet thrillers. Why would a died-in-the-red-wool, decades-long Communist feel allegiance to the regime that overthrew Communism in Russia?
‘Cover for a thriller about Russia? No problem. If it’s a thriller, you’ll need a silhouette of someone. From behind is what most people choose. And Russia? Hmm … We’ll just put them on Red Square. That should do the job.’
But it wasn’t always like that. In the 1980s and into the 1990s, it was symbols, not silhouettes. Usually the hammer and sickle. Sometimes a red star.
Russia in Fiction might even have found the cover that sits on the boundary between symbols and silhouettes. Read on …
Reading A Quiet End, DeMille’s 2015 novel with a vaguely Russian theme, sent me back to his 1988 thriller The Charm School. A very different, and frankly better, book.
The Charm School is brilliant, both as a thriller and for its knowledge of Russia and the Soviet Union —plenty of details about Soviet life, some great settings in Moscow and beyond, and a plot that is never predictable.
(published in the US as Radiant Angel)
If you know thrillers, you will know the name of Nelson DeMille. He is one of those guaranteed bestsellers. He doesn’t write about Russia most of the time, but he has done occasionally both before and since the Soviet era.
The Charm School (1988) is a classic, with its scenes in the Soviet Union and its plot feature of KGB agents trained in a special area in Russia set up to simulate life in small-town USA. The Talbot Odyssey (1984), about Soviet agents in the CIA, is pretty good too. And DeMille’s non-Russian oeuvre is also above average in the thriller stakes —for example, from what I’ve read, The General’s Daughter (1992) and Word of Honour (1985).
A Quiet End comes decades later on from these best-sellers, and it shows in plot and style.
Stephen Coonts is at the forefront of the book-a-year thriller writer stable, and has been since the 1980s. Like many others (Tom Clancy, Stella Rimington, Daniel Silva, to name but three of a long list), he often writes about the same characters — in the case of Coonts, the chief protagonists in his fiction are Admiral Jake Grafton and CIA officer Tommy Carmellini.
Coonts less often writes about Russia, but even that, he does with relative frequency —for example, The Red Horseman (1993), Fortunes of War (1998), and Wages of Sin (2004).
What Coonts does, he does well; namely, snappy and well-plotted action thrillers. He is an ex-military man and, from what I have read —basically, the Russia-related titles named above— his politics seem to be patriotic American.
Christopher Reich’s third book very much merits the description of Russia-focused thriller. And a turn-of-the-century one at that, with the plot revolving around oligarchs, violence, and financial misdeeds.
(Part two of this review is here)
A quick review of what was for Russia in Fiction a quick summer read. If you fancy a spy/political thriller for the beach or the pool, this will do the trick.
Secret Service is the first in a trilogy written by Tom Bradby, a nationally known journalist and newscaster in the UK.