Russia in fiction

A book blog about Russia in English-language fiction

Category: 1990s published (Page 2 of 3)

Revolution: a Novel of Russia by Barnaby Williams (1994)

4 May 2021 /

A novel of Russia. That is the subtitle of Barnaby Williams’s novel Revolution. A subtitle like that is catnip to a blog called ‘Russia in fiction’. But what does it mean?

The phrase ‘novel of Russia’ turns out to be a reliable marker of genre. Several other books of the past few decades carry this marker, and they are all of a type.

‘Novel of Russia’ denotes what might be termed an ‘epic’; a sprawling, multi-generational, hundreds of pages long saga. Revolution begins —predictably enough— in 1917, on the eve of the Communist seizure of power in Russia, and ends as the Communist era itself ends, in the early 1990s, with Boris Yeltsin becoming the first president of a newly independent Russia.

Continue reading

Monstrum by Donald James (1997)

28 April 2021 /

Donald James was a quite brilliant thriller writer. One of Russia in Fiction’s all-time favourites; he died exactly 13 years ago today, on 28th April 2008.

The distinctive trait of his Russia-related novels was to set them in a plausible yet radical near-future. Monstrum was written during the chaotic mid-1990s in Russia. James did in novel form what many Russia-watching analysts sought to do in methodical, scenario-planning form. He took current trends and extended them.

Except Donald James’s version involves a serial killer, love affairs, and betrayal.

Continue reading

A Patriot in Berlin by Piers Paul Read (1995) – part two

21 March 2021 /

Part one of this review is here

Part three of this review is here

A Patriot in Berlin has some of the archetypal features of books set shortly after the fall of the Soviet Union. To the fore is the presence of those ex-KGB and military types deeply concerned at the loss of Soviet power, and with it their own power. The list of novels built on similar concerns in the 1990s is long (immediately springing to mind are Tim Sebastian’s Saviours Gate, and Tony Cape’s The Last Defector).

Having elements of a formula does not make a novel formulaic, nor does dealing with common themes make it derivative. A Patriot in Berlin has striking elements of its own. It is set in post-unification Berlin in 1992-93 and is based around plans for an exhibition of Russian art forbidden in the Soviet years.

Read has a gift for encapsulating the uncertainty of these years; an uncertainty which Russia in Fiction remembers well from life in Moscow during that period.

Continue reading

A Patriot in Berlin by Piers Paul Read (1995) – part one

17 March 2021 /

Part two of this review is here

A Patriot in Berlin is a novel of the collapse of Communism. It is set in the immediate aftermath of the break-up of the Soviet Union, between August 1991 and July 1993. In other words, in that strange period of suspended political time, between Boris Yeltsin emerging as the victor in Russia after the attempted coup of August 1991 and his eventual victory over the last of the old Soviet-era parliament’s resistance in October 1993.

As is to be expected from its author, A Patriot in Berlin has literary substance. It addresses the questions that this startling and unexpected moment in modern history throws up, dealing with themes of nationalism, materialism, and Communism. At the same time, Read roughly adheres to some spy thriller formulaics; false identities, political factions, violence and torture and sex.

Robert Harris’s review of A Patriot in Berlin noted

There’s more skill here, and more intelligence, than in any number of contemporary novels and the attempt to bridge the gap between ‘serious’ literature and mass-market fiction is a laudable one

Robert harris, daily Mail, 16 september 1995
Continue reading

The Jericho Files by Alan Gold (1993)

4 March 2021 /

The Jericho Files is the first novel by Australian author Alan Gold, and the only one with a Russia focus. Even then, that focus is not on Russia alone, but also on Israel —the subject of most of Gold’s many later novels.

The titular ‘Jericho Files’ hold the secret of a Soviet plot, dating back to the late Stalin years, to insert a Communist sleeper agent into the political life of the nascent state of Israel. By the 1990s, this man has become Prime Minister of Israel and sets about disrupting the international order in alliance with Moscow.

The Jericho Files is a well-constructed page-turning thriller; but with one issue that bugs Russia in Fiction. There is a questionable premise at the heart of the plot, a premise that recurs in several post-Soviet thrillers. Why would a died-in-the-red-wool, decades-long Communist feel allegiance to the regime that overthrew Communism in Russia?

Continue reading

The Cambridge Theorem by Tony Cape (1990)

11 October 2020 /

You would think that after several decades reading spy thrillers about Russia, I would know all the good ones. Then, browsing the Oxfam bookshop on the Woodstock Road in Oxford a few years ago, I came across The Cambridge Theorem.

How had I missed this for so long? The Cambridge Theorem is brilliant. What is more, it turned out —or so I thought at the time— that it was the first in a trilogy based around its central character.

Continue reading
« Older posts Newer posts »

© 2025 Russia in fiction

Theme by Anders Norén — Up ↑