Charles Cumming is at the forefront of contemporary British thriller writers, and is on a bit of a roll at the moment. JUDAS 62 is his eleventh novel. The majority of these —with The Trinity Six being one of three exceptions— are not really Russia-in-fiction territory. But JUDAS 62 most definitely is.
‘Big bad Russia’ is back as the main enemy, and a large part of JUDAS 62 is set in the Russian city of Voronezh in 1993.
Here at the Russia in Fiction blog, we are interested in how Russia is portrayed in English-language fiction. Whether that fiction is any good comes into the reviewing too of course, but the tropes and plot devices and imagery and assumptions of a remaindered thriller can still fascinate as insights into popular perceptions of Russia at any given time.
James Steel’s December serves as a great example for taking the ‘how Russia is seen’ temperature. From title and front cover blurb, at the end of this century’s first decade, that temperature is low.