Brian Garfield’s thriller Kolchak’s Gold takes on the mystery of what happened to the gold reserves of the Russian Empire after the revolution of 1917.
This is a made-for-fiction mystery. It is known that the gold —which had been transported to Siberia from St Petersburg during World War One to prevent it from falling into enemy hands— came under the control of the overall leader of the White movement in the Russian Civil War, Admiral Aleksander Kolchak.
Predictable we may be, but Russian in Fiction couldn’t resist reviewing in succession two books with identical titles.
Daniel Silva’s Moscow Rules (2008) is a very different sort of thriller from Robert Moss’s Moscow Rules (1985), in terms of both aspects of Russia in Fiction’s reviewing template.
Russia in Fiction asks two things about the books we review. What is the novel like? And how does it portray Russia? For the former, Daniel Silva is a doyen of the novel-a-year, same central character, same formula series. For the latter, when Silva deals with Russia, he tends to the straight down the line, big bad Russia approach; not uncommon at all amongst Western thriller writers, and a useful marker of how Russia has been popularly perceived at particular points of time.
And if this brief opening summary makes it sound like Russia in Fiction doesn’t think much of Daniel Silva’s writing, then we want to correct that misperception immediately.
The Betrayers is set over a period of a couple of days, but unpacks several lifetimes of issues surrounding forgiveness, right decision-making, relationships, religious faith, the contingent nature of morality, success, and what it means to be a good person.
David Bezmozgis has excelled with this literary novel. Its physical setting is Crimea. As chance would have it, by the time of publication Russia had annexed Crimea from Ukraine, giving a certain unintended contemporaneity to The Betrayers. But the Crimea written of here is not tinged with any of its post-2014, post-reincorporation into Russia, resonance. Rather this Crimea, specifically Yalta and Simferopol, is portrayed as the run-down, faded and forgotten, former holiday haunt of the Soviet era.
The Jericho Files is the first novel by Australian author Alan Gold, and the only one with a Russia focus. Even then, that focus is not on Russia alone, but also on Israel —the subject of most of Gold’s many later novels.
The titular ‘Jericho Files’ hold the secret of a Soviet plot, dating back to the late Stalin years, to insert a Communist sleeper agent into the political life of the nascent state of Israel. By the 1990s, this man has become Prime Minister of Israel and sets about disrupting the international order in alliance with Moscow.
The Jericho Files is a well-constructed page-turning thriller; but with one issue that bugs Russia in Fiction. There is a questionable premise at the heart of the plot, a premise that recurs in several post-Soviet thrillers. Why would a died-in-the-red-wool, decades-long Communist feel allegiance to the regime that overthrew Communism in Russia?