After more than two decades silence, a journalist who was once expelled from the Soviet Union has made contact. With a resurgent Russia back on the scene, his knowledge of how things used to be in Moscow could once again be useful.
But why was he so silent for so long? Can this really be the same man? And what do the things he learnt nearly 40 years ago tell us about Russia today?
You could be forgiven for thinking that these opening sentences sound like the back cover blurb for Fatal Ally. They are not. They are about its author, Tim Sebastian.
When your choice of fiction is influenced by where it is set, then you can end up reading novels that you would not otherwise have given a second glance to. So far as Russia in Fiction is concerned, Mrs Harris Goes To Moscow is one such novel.
Russia in Fiction claims no special expertise in the literature of the prolific Paul Gallico (1897-1976), whose output of over 50 books ranged from The Poseidon Adventure, which was made into a blockbuster disaster movie, to children’s books much loved by Harry Potter author, J.K. Rowling.
Lacking such expertise, we turned to a website that is, in the words of its writer, ‘dedicated to the literature of Paul Gallico, one of my favourite authors’. Its conclusion with regard to Mrs Harris Goes To Moscow?
For the first —and no doubt only— time, Russia in Fiction is reviewing a book that does not mention Russia.
And its set-up cannot fail but bring to mind the 2006 Oscar-winning German movie Das Leben des Anderen (The Lives of Others).
In the basement of a block of flats in the capital of ‘an anonymous Iron Curtain country’ called Commitania, sits a man, headphones on, tape reels whirring, listening in on conversations throughout the apartment block.
And how do we know it is about Moscow in the 1960s? Regular readers of this blog might already have picked up the clues.
Martha marries Kit, a gay British diplomat serving in Moscow in 1973. This platonic marriage suits them both — Kit feeling the need to disguise his sexuality; Martha finding a route out of the conventional home-bound English middle-class future her parents see for her.
Sarah Armstrong’s The Wolves of Leninsky Prospekt plays off the temporal and physical settings of Moscow and 1973 against one another.
Martha embraces life in Soviet Moscow, with all its faults and fears. For Kit, working in the British Embassy, the reality of Cold War tensions are ever present.