Ralph Peters is a distinctive author when it comes to military novels written in English around the end of the Cold War era; he writes whole novels with Soviet characters only. As noted in our review of his stand-out Red Army (1989), Peters tends to focus in on a small range of characters, rather than panning out to the geopolitical level of strategy and national leadership.
Flames of Heaven is set in 1990 and depicts the violence of protest and uprising in the Soviet republics, as the writ of the Communist Party of the Soviet Union shrinks whilst anti-Russian feeling on the Soviet periphery grows.
All of which would have been touted by Russia in Fiction as to some degree prescient had Flames of Heaven been published in 1990 or 1991. What we had trouble getting our heads around was that the novel came out in 1993, by which time everyone knew that the Soviet Union had collapsed, and had done so with remarkably little bloodshed.
But when we did get our heads around the publication date question, Flames of Heaven grew in stature as a convincing portrayal of the pre-collapse Soviet Union, where the enormity of what was to come was not yet grasped even by those close to its unfolding.
War-with-Russia novels were legion in the 1980s. Authors such as Tom Clancy, Ralph Peters, Dennis Jones, Larry Bond, Ian Slater, and General Sir John Hackett all produced one or more examples of military scenario fiction, usually written as a sort of alternative history.
To generalise with some degree of assurance, their plots consisted of carefully worked out military campaigns of the war-gaming variety, drawing on the detailed plans that NATO and the Warsaw Pact had developed for such eventualities. To make them more than simply glorified campaign manuals, human interest would be added by naming individual soldiers, sketching out their characters and home lives, and following them into battle.
Russia in Fiction has reviewed one of the betters ones, Red Army by Ralph Peters (1989). Red Metal, published three decades later, gives an updated and original take on the war-with-Russia concept.
Part one of this review is here
Red Army tells the story of an imagined Soviet invasion of western Europe in the 1980s, and tells it entirely from the point of view of Soviet troops. This is no Clancy-esque overview of grand strategy and political manouevres, although Peters does, like Tom Clancy, tell his story through a select series of individuals.
That all of these individuals are in the Soviet armed forces is grist to the Russia-in-fiction mill.
Part two of this review is here
Future war books are a distinct sub-genre in Russia-in-fiction novels. Over the coming months this blog will review several. Others we will snub.
[Update — review of Red Metal (2019) posted 10 August 2021]
Russia in Fiction approaches such books with a couple of specific prejudices. We are not into military stuff per se; endless eye-glazing pages about high-tech weaponry, artillery placement, and military tactics. Yawn. And we are wary when such books —as sometimes—are more political manifesto than readable fiction.
Red Army side-steps both of these elephant traps with ease. Ralph Peters has written a superbly original account of a war that never was.