In the flurry of Russia-related thrillers published in 2018, Karen Cleveland was a new name. She is one of those ex-security service officers (in her case, CIA) who bring a degree of inside knowledge to their writing. Although, this in itself is no guarantee of authenticity and quality; as the late Jason Matthews’s outdated portrayals of Russia illustrated, for example in Red Sparrow.
The plot of Need To Know is centred around a Russian sleeper agent who lives a normal happy family life with his wife and two young children in the Washington area; a convincing and likeable young American guy, going by the name of Matt.
The original twist is that Matt’s wife, Vivian, works for the CIA, is tasked with uncovering Russian sleeper agents, and discovers that her husband is a spy.
And before anyone complains of spoilers (never a complaint that Russia in Fiction has that much truck with anyway), all of the above is the set-up. It is in the blurb, it is in the first chapter.
Sometimes —and may be more often than usual in the middle of a pandemic-inflicted lockdown— a bit of escapism is just the ticket.
Step forward, James Patterson ‘the most borrowed author in UK libraries for the past thirteen years in a row’, and author of, well, who knows? 120? 130 novels? Several a year, mostly with co-authors.
Private Moscow is the 15th in the Private series about an élite detective agency with branches around the world, founded and led by all-action American hero Jack Morgan. From cover through to final page, it gathers in the Russia-in-fiction thriller clichés in a fast-moving action movie-style plot. But there is more to Private Moscow than that.
I stayed up into the small hours to finish it …
Jack Higgins is a successful and prolific thriller writer. Most known for his bestselling The Eagle Has Landed (1975), he is the author of over 80 novels since his first in 1959.
Somehow having never read Higgins, I picked up Confessional because I was aware of his standing, wanted to read something by him, but also wanted to feed my ‘Russia in fiction’ predilection.
And from the Russia-in-fiction perspective it was a bit of a treat to come straight in, chapter one, to the intriguing notion of the “live like it’s the West” spy school.