Way before the death of Stalin became the title of a graphic novel which then in 2017 became a comic movie, banned in Russia, the actual passing of the Communist dictator in March 1953 provided the plot for several thrillers written by British writers.
The novel reviewed before this one —Robert Harris’s Archangel (1998)— begins on the day of Stalin’s death. John Kruse’s Red Omega (1981) develops the fictional notion that Stalin was assassinated. Barnaby Williams’s Revolution (1994) has Stalin suffocated by his Politburo subordinates.
The Kremlin Contract similarly has the theme of Stalin being assassinated. And almost all of its characters, on both sides of the Cold War divide, want him dead.
Crime not espionage, that was the trend for thrillers about Russia in the 1990s, as the Russian state all but collapsed and Russian criminal gangs made their presence felt across the globe.
David Lindsey’s Requiem for a Glass Heart is very much a thriller —a terrific read, combining a page-turning plot with a layered development of character and situation.
You would think that after several decades reading spy thrillers about Russia, I would know all the good ones. Then, browsing the Oxfam bookshop on the Woodstock Road in Oxford a few years ago, I came across The Cambridge Theorem.
How had I missed this for so long? The Cambridge Theorem is brilliant. What is more, it turned out —or so I thought at the time— that it was the first in a trilogy based around its central character.