A book blog about Russia in English-language fiction

Category: Reviews by book publication date (Page 9 of 13)

The Wolves of Leninsky Prospekt by Sarah Armstrong (2019) — part two

Part one of this review is here.

Martha marries Kit, a gay British diplomat serving in Moscow in 1973. This platonic marriage suits them both — Kit feeling the need to disguise his sexuality; Martha finding a route out of the conventional home-bound English middle-class future her parents see for her.

Sarah Armstrong’s The Wolves of Leninsky Prospekt plays off the temporal and physical settings of Moscow and 1973 against one another.

Martha embraces life in Soviet Moscow, with all its faults and fears. For Kit, working in the British Embassy, the reality of Cold War tensions are ever present.

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A Quiet End by Nelson DeMille (2015)

(published in the US as Radiant Angel)

If you know thrillers, you will know the name of Nelson DeMille. He is one of those guaranteed bestsellers. He doesn’t write about Russia most of the time, but he has done occasionally both before and since the Soviet era.

The Charm School (1988) is a classic, with its scenes in the Soviet Union and its plot feature of KGB agents trained in a special area in Russia set up to simulate life in small-town USA. The Talbot Odyssey (1984), about Soviet agents in the CIA, is pretty good too. And DeMille’s non-Russian oeuvre is also above average in the thriller stakes —for example, from what I’ve read, The General’s Daughter (1992) and Word of Honour (1985).

A Quiet End comes decades later on from these best-sellers, and it shows in plot and style.

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Confessional by Jack Higgins (1985)

Jack Higgins is a successful and prolific thriller writer. Most known for his bestselling The Eagle Has Landed (1975), he is the author of over 80 novels since his first in 1959.

Somehow having never read Higgins, I picked up Confessional because I was aware of his standing, wanted to read something by him, but also wanted to feed my ‘Russia in fiction’ predilection.

And from the Russia-in-fiction perspective it was a bit of a treat to come straight in, chapter one, to the intriguing notion of the “live like it’s the West” spy school.

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The Siberian Dilemma by Martin Cruz Smith (2019)

The Siberian Dilemma is the ninth of Martin Cruz Smith’s Arkady Renko novels, published nearly 40 years after the classic first in the series, Gorky Park (1981). Like the other more recent Renko novels, at least since Stalin’s Ghost (2007), The Siberian Dilemma is a relatively short, snappily written work.

It set me musing on two things in particular. It made me wonder what lies behind the shift amongst a number of long-established thriller writers from long and detailed to short and snappy? And, for entirely personal reasons, it reminded me of a meeting with the leader of the Russian Communist Party.

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Death of a Dissident by Stuart Kaminsky (1981)

Fancy a little pre-Christmas quiz? This is one for lovers of Russia-in-fiction detective stories. There is only one question, and it is an absolute doddle.

If the first murder victim in a Russia-in-fiction detective thriller is killed with a sickle, how will the second murder victim meet their grisly end?

Of course, to give you the answer might be seen as a spoiler by some —but I am not really one for this fastidious fad for being horrified at minor plot points being revealed. So here goes, the answer is …

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Tatiana by Martin Cruz Smith (2013)

Tatiana is the 8th of Martin Cruz Smith’s Arkady Renko novels, all of which were re-packaged in 2013, with new  monochrome photo covers and availability as ebooks.

The Renko novels go all the way back to their remarkable opener, Gorky Park published in 1981, during the dying days of the stagnant but, from this distance, strangely beguiling Brezhnev years. The most recent, The Siberian Dilemma, was published in 2019.

In several interviews over the years —for example in the New York Times in 1990— Martin Cruz Smith has talked about how he originally intended to write a novel about an American detective who goes to Soviet Moscow. Then the ‘obvious idea’ came to him; to make his hero a Russian detective. Arkady Renko was created.

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The Useful Idiot by John Sweeney (2020) – part two

Part one of this review is here.

Who is The Useful Idiot in John Sweeney’s 2020 thriller set in Stalin’s Soviet Union in 1933?

Although the book’s hero, Welsh journalist Gareth Jones, feels himself —in a moment of passing regret— to have behaved as such, the true useful idiots are those Westerners, diplomats and journalists, who are willingly hoodwinked by dreams of Communism whilst refusing to spread abroad stories of the violence, famine, and death before them.

And chief ‘useful idiot’ of the piece is Walter Duranty.

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