For the first —and no doubt only— time, Russia in Fiction is reviewing a book that does not mention Russia.
And its set-up cannot fail but bring to mind the 2006 Oscar-winning German movie Das Leben des Anderen (The Lives of Others).
In the basement of a block of flats in the capital of ‘an anonymous Iron Curtain country’ called Commitania, sits a man, headphones on, tape reels whirring, listening in on conversations throughout the apartment block.
And how do we know it is about Moscow in the 1960s? Regular readers of this blog might already have picked up the clues.
Part one of this review is here.
Martha marries Kit, a gay British diplomat serving in Moscow in 1973. This platonic marriage suits them both — Kit feeling the need to disguise his sexuality; Martha finding a route out of the conventional home-bound English middle-class future her parents see for her.
Sarah Armstrong’s The Wolves of Leninsky Prospekt plays off the temporal and physical settings of Moscow and 1973 against one another.
Martha embraces life in Soviet Moscow, with all its faults and fears. For Kit, working in the British Embassy, the reality of Cold War tensions are ever present.