A book blog about Russia in English-language fiction

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The Long Song of Tchaikovsky Street: a Russian adventure by Pieter Waterdrinker (2022)

Translated from Dutch by Paul Evans

The Long Song of Tchaikovsky Street is a semi-autobiographical novel by Dutch author, and long-term Russia resident, Pieter Waterdrinker.

Waterdrinker’s take on Russian history —from the revolution of 1917 to its 100th anniversary— puts Russia in Fiction in mind of a knowledgeable boxer, confident in the Russia-writing ring. His experience gives him an assured air; he side-steps the lightweight clichés and name-checking typical of journeymen writers, and slams home his heavy take on Russia’s past, present, and future.

And, particularly from the view-point of 2022, it is an ominously heavy take on what lies at the end of this century-long dance of history.

The dance goes on —yes, the dance always goes on. Maybe this was another false rhyme of history, and we were on the cusp of a new biblical deluge of blood.

The Long Song of Tchaikovsky Street, p. 364
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City of Ghosts by Ben Creed (2020) – part two

Part one of this review is here

One winter night in 1951, several miles outside of Leningrad, five mutilated corpses are discovered, laid out —indeed positioned— on railway tracks. Leningrad police (militsiya) officer, Rev Rossel, conducts an investigation that increasingly ties the murders to his own previous life as a violin student in the Leningrad Conservatory.

City of Ghosts vibrates with dissonance between the ubiquitous and ingrained violence of late Stalin-era Leningrad and the transcendent potency of music. Alongside portrayals of savagery by state and criminals alike, Ben Creed conjures up the otherworldliness of music.

The novel has five parts, each designated by a musical note; a motif that reaches a crescendo by its end whilst having been a refrain throughout. F A E♭ B♭ G.

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