G. D. (Garry) Abson’s first book is a cracking crime novel, set in contemporary St Petersburg and shaped around the character of a maverick female detective, Natalya Ivanova.
In Abson’s portrayal of Russia, for ‘maverick’, read ‘not corrupt’. Ivanova’s efforts to solve crime —in this case the disappearance of a young woman— are hindered as much by obstructive, careerist, regime-loyal colleagues as they are by the normal stuff such as lack of evidence and the deceptive nature of the criminal class.
One strap-line we have seen used for Motherland goes like this.
In 1989, when Communist governments were thrown out of the power that they had usurped across Eastern Europe, the geo-political certainties of decades went with them. Almost overnight, multiple possible paths forward opened up; and fiction writers mapped them as much as did scholars, journalists and policy professionals.
John Hands’s Perestroika Christi was published in 1990. In that in-between bit during the collapse of Communism. Soviet control over the Central and East European satellite states had been lost, Germany was re-uniting —but what of the Soviet Union itself?