The Siberian Dilemma is the ninth of Martin Cruz Smith’s Arkady Renko novels, published nearly 40 years after the classic first in the series, Gorky Park (1981). Like the other more recent Renko novels, at least since Stalin’s Ghost (2007), The Siberian Dilemma is a relatively short, snappily written work.
It set me musing on two things in particular. It made me wonder what lies behind the shift amongst a number of long-established thriller writers from long and detailed to short and snappy? And, for entirely personal reasons, it reminded me of a meeting with the leader of the Russian Communist Party.
Part one of this review is here.
If you want your Russia-in-fiction tropes, Moscow at Midnight provides a collector’s cornucopia, and does so with style and originality.
As part one of this review observes, McGrane provides so many Moscow references that it might sound as if she reduces them to a passing mention, or, in one of her many memorable phrases, ‘a strange kind of Baedeker’.
Whilst there are occasional hints of that, Moscow at Midnight elevates its location with lyrical and evocative descriptions.
(Part one of this review is here)
Black Sun is set in a world on the turn.
It is a thriller bathed throughout in its titular saturnine radiance, emanating from RDS-220, the Tsar Bomba – to this day the most powerful explosion ever created by humankind.
(Part two of this review is here)
As a thriller, excellent. From the Russia-in-fiction perspective, first class.
Black Sun is a superior and original whodunnit set in the closed city of Arzamas-16 in October 1961, the week in which the Soviet Union tested the biggest nuclear weapon ever exploded.